Stuck in this vicious circle, people need to form new identities conforming to the post-colonial world.īeing an outsider becomes an imposed identity on the people who live in post-colonial world. It appears to be a compulsion for them to be there for a better life, at the same time, they strive to go away since they cannot feel themselves as a part of the whole. However, the post-colonial juxtapositions start to hunt their lives since they mostly live as immigrants or expatriates in a foreign setting. Thus, discontented with their current circumstances, they leave their home and they set up a new life in a new environment. Since the post-colonial illusion of having a new life engages the minds of the protagonists of the novels within the scope of this dissertation, they end up looking for ways out of their borders. In order to get adapted, people need to redefine the established ways of thinking, and this is the point where the subject matter of this dissertation, post-colonial juxtapositions and illusions, emerges.Īs a writer who has an Anglo-Chinese background, Timothy Mo’s fiction is a true medium to analyse the juxtapositions and illusions within post-colonial context. The nations that were once colonized regain their independence, but the traces of colonialism can still be observed in their lives. The post-colonial period brings a different form to the individuals and nations’ lives. It is concluded that the notion of visual illusions, suitably reformulated, is still viable. Examples of strong context effects which are not considered to be illusions are presented. Throughout the paper, novel variations of illusions are shown, and problems with accounts of some well-known illusions are noted. Conceptions of illusions differing from the one advocated here are discussed. Criticisms of the notion of illusions are presented, commented upon, and responded to. A set of criteria for illusionhood is listed. Many different aspects of illusions are discussed. After a review of definitions of illusions in the relevant literature, a more comprehensive but also more restrictive framework is presented, involving both veridicality and illusoriness, and is illustrated using two variants of a 2 × 2 scheme for the presentation of illusions. This article deals in depth with ways in which illusions have been, could be, and should be defined and with various criticisms and different conceptions of the notion of illusions. Visual illusions have been a popular topic of study for a long time, but in recent years, a number of authors have questioned the coherence of this notion. Against this background, we distinguish some main options for an account of the perception/cognition distinction, in particular concerning whether there is one, several, or no interesting and principled distinction(s) to be drawn here. the way in which perceptions seem to be tightly causally linked with distal or proximal stimuli. Third, their place in cognitive architecture, i.e., roughly, in the information-flow of the mind, such as their alleged (non-)modularity. the non-propositional nature of the contents, or non-discursive character of the vehicles, that have been held to characterise perceptual representation. Second, the way in which they represent the world, e.g. First, their phenomenal character, such as the often-remarked vivacity or immediacy of perception. Four main respects in which perception and cognition have been held to differ are discussed. Yet what is the nature of the distinction? In what way, or ways, do perception and cognition differ? The paper reviews recent work on these questions. Perceiving and thinking have also been assigned quite different roles, in epistemology, in theories of reference and of mental content, in philosophy of psychology, and elsewhere. The difference between perception and cognition seems introspectively obvious in many cases.
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